Pink Elevator is an architecture studio designing the rooms, the buildings, and the small moments between floors. We treat every project as a vertical invitation — somewhere to ascend into.
We believe architecture should do what an elevator does at its best — carry you somewhere you didn't expect, in a room you didn't want to leave.
Pink Elevator was founded on the idea that elevation is not only vertical. It is the small lift in mood when a hallway opens to a window. The slight rise of a floorplate that makes a room feel cradled. The patience of light moving across plaster across a day.
We work between residential, cultural, and commercial — but always with the same brief: design something a person would willingly step inside, and miss when they leave.
Our practice runs on a small handful of convictions. Everything we build can be traced back to one of them.
Concrete should look like concrete. Brass should age. We choose materials that tell the truth as they wear.
A single beautiful detail says more than ten competing ones. We design by subtraction until only the essential remains.
We don't decorate with light — we structure with it. Every plan is drawn twice: once for floors, once for shadow.
A staircase can flirt. A doorknob can wink. We leave room in every project for a small, unreasonable delight.
We design for the building's tenth year, not its first photograph. Patina, weather, and use are part of the brief.
Spaces should reflect their inhabitants more than their architects. We listen first, draw second, sign last.
A small studio by design. We keep the team intentionally tight so every decision passes through both of our hands.
Sets the architectural direction of the studio. Karolis leads concept, massing, and the structural conversation — the person who decides where the walls go, and why.
Shapes the visual language of every project — colour, material, texture, and the way each room photographs and feels. Reda holds the studio's eye.
